The film reminds us that the science is clear on climate change. Unfortunately, there have been no consequences for the irreparable harm these companies have caused. Ancient primary rainforests, once destroyed, cannot be restored to anything approaching their previous condition on a time scale meaningful for humanity. Pulp and paper producers have made similar commitments. Some major consumer goods companies and their palm oil suppliers in Indonesia have taken zero-deforestation pledges. There has been some progress in Indonesia. The 2004 tsunami, which killed 250,000 people in Aceh, brought fresh misery. Much of that “Eden,” however, was cast into Bosch’s doomscape by the turn of the millennium. I have a coffee table book from 1990 on Leuser called Indonesian Eden. Two decades after I traversed those forests, DiCaprio flies into Leuser and is dismayed by the fires and haze, and by the seemingly endless rows of oil palm trees. Sumatran tigers are one of many species that call Indonesia’s Leuser ecosystem home.
And there was optimism that resources and political will were finally at hand to do the job. Leuser’s forests, tigers, elephants and rhinos faced many threats back then, but there was much left to conserve. In the mid-1990s, I researched the Leuser ecosystem of Sumatra’s Aceh province, then the focus of the largest donor-supported rainforest conservation project on Earth. In DiCaprio’s view, humanity is poised to fall from the central panel into the right – which looks remarkably like the Canadian tar sands DiCaprio flies over early on in the film.įor me, one part of the film hit closest to home:Īs a backpacker and forest researcher some 30 years ago, I roamed widely through the vast and still-pristine rainforests on the Indonesian island of Sumatra. The left panel of the triptych depicts the Garden of Eden the large central panel depicts the dominion of humankind over the planet and its diverse plants and animals the right panel takes us to a doomscape of blasted earth, fire, torture and death. In fact, the film’s leitmotif is Hieronymus Bosch’s iconic painting The Garden of Earthly Delights, which opens and closes the film. The many experts DiCaprio interviews make it clear that the worst is yet to come unless humanity makes a radical U-turn in the way we produce and consume energy, food and just about everything else. It’s a reminder of the enormity and complexity of the forces driving climate change. We see the vast scale of humanity’s footprint across the globe, from smog-choked Beijing to the blackened moonscape of the tar sands in Canada the toll of rising seas from Miami to the Pacific islands the melting of the Greenland ice sheet and the destruction of great rainforests for cattle ranching in the Amazon and palm oil plantations in Indonesia. DiCaprio guides the audience on a global tour of how climate change and the forces driving it are upending human lives and fraying the biological fabric of the planet. To close the 74th Locarno festival a lifetime achievement award was made to Italian director Dario Argento, including for his leading role in Gaspar Noe’s Vortex about an elderly couple coping with Alzheimer’s disease.Leonardo DiCaprio’s new film, Before the Flood, is a sobering work, at once beautifully crafted and painful to watch. celebrating ourselves and at the same time criticising and find out what do in order to face our problems through cinema." "And even in this very difficult time, we can find the energy and all those spirits that can bring us, keeping us together and. "We are very excited with the growing of our cinema," he added.
"I feel connected with the all of southeast Asian region because we are facing more or less the same spirit and also at the same time facing the same problem, you know we have censorship, we have violence here and there. Indonesian cinema was still young, he said, as in most of the cinema in the region. "We need this energy in this not so easy time." The feature paints a humorous portrait of a violent young man who falls for a woman after fighting her.Įdwin, who uses a single name, had already returned to Jakarta before the awards ceremony but the organisers put out a video in which he said the Golden Leopard was "happiness.
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